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Käki Interview
07 Jul. 2017

Käki Interview


Käki (“Cuckoo” in Finnish) is an experimental, loose collective of handpicked individuals serving this sound installation, which is always stream of consciousness, fully improvised, evolving and growing as it goes. Every performance will be different from another, depending on which members are playing. It can be just me, most of the times accompanied by another guitarist, and we craft every performance and line up to fit which ever event we are playing. Käki is unsigned for it’s obvious obscurity and unwillingness to fit boxes, which might make it hard to sell anyway. We just released our first triple album KatoaHukuValu, all of them linked on the titles.

– Can you give a little biographical and historical info; who is
involved in the band, and how did you guys meet up? You know, how the
journey started, what the members were doing before…
It all probably started with my one man study J. Kill & Mr. Mule (now called Junkyard Shaman). I started making music in 2012, with no goal or purpose, just for the sake of playing. It ended up being a pile of over 100 digital releases, albums and EP’s. I started playing live shows of this avantgardist guitar improvisation thing. Then a friend of mine introduced me to Cédrik Bano, and we instantly had this connection that could allow us to play up to 5 hours together without getting bored once. That’s pretty much how I knew, that this guy is someone I want to have involved in this thing. We had this other thing called Matatadrone for a while, my brother Eetu Kilpinen, with whom I have played in a grindcore band Cut To Fit for years, came to play the bass. We have lived pretty much all our life together so we know our brain inside out. We played some live shows that kinda welded the whole thing together. We had another drummer (who fit the thing perfectly) for some time and played some live shows as J. Kill & The Shady Yes Yes Men, but I wanted to have something more consistent. Drummers are also always busy or have something else going on, so I knew I did not want to have a drummer in this thing. So I picked up another person I knew I have a special connection with, Juho Yrjölä. He also sings in our other band Harhakuvia and is a Finnish underground rap artist Liskomies. Complicated enough? I wanted the drummer to be someone, who is not a drummer, who understands the essence and transcendence of hypnotic rhythm and can keep the same pulse for hours if needed. Basically, I handpicked these individuals, who I knew I could trust to understand this droning, experimental and avantgardist approach to playing music without trouble.  There are no mistakes, every sound is a good sound.
– What your genre means to you, or why you chose this genre
basically?

Genres in general don’t mean anything to us. The thing is, we have grown tired of “music” in it’s regular sense. All the things people associate with it, genres, song structures, instruments, everything. We are building our own instruments and noise machines at the moment. I play broken cymbals and scrap metal bowls with a bow and contact mic them through effect loops, we try to find new noises out of our instruments all the time. When it comes to music, it is just a stream of whatever we happen to channel through. Mostly it is droning, ambientish sounds but occasionally some sort of “themes” grow out of it and then we observe those themes for a while before letting them go. It is what it is, just an ocean of sounds.

– How did the initial musical and thematic elements evolve?
Regarding this triple album we just put out it was rather simple. The first part Katoa was done by me, alone in the basement studio after four days of isolation. I recorded all kinds of shit in there, just for the fun of it, but when I stumbled upon the first track I instantly understood I had just found something important. I observed that further and 12 hours later the whole album was done. At first I thought of putting it out alone, but then this whole idea of Käki formed in my head. I invited these individuals, let them hear the album and told them I wanted to create something based on this tuning and atmosphere with these people. So basically we went to the rehearsal space, set up the mics and Huku is the first thing that came out, instantly. Without any practice or plans. I am really happy with it. Valu was recorded right after that, as an acoustic live field recording. Just start put the rec on, drink coffee, play, record a late afternoon exactly how it was. If there is some theme to all of this, it is this zen-ish approach of letting things be what they are, how they are, let go of all control and just exist in one place and time for a certain period of time.

– Are you happy with your music? I mean, what aspect of it do you
think you guys nailed, and what parts do you think you could improve
upon?
I like everything I get to do with other people. Music is a language and as we have these “conversations” we get to know each other even better, so that is an interesting process to observe as it goes. It will only get better with time.
– How has the overall reception been?
When we play live it’s always good. Someone might say that people in general are stupid and have no taste in music, but I have noticed that when you offer them something like this, something they have never quite experienced before, they are open minded. We don’t do soundchecks, we just set up the gear and start playing so that we get to play as long as possible. It is confusing to some people, but we like to confuse people. There has not been a single show that hasn’t silenced the audience, and that is what I aim for. Little by little the music grows and sucks people into it. Then it becomes a shared experience, with the band and the audience, eventhough there’s no any crowdpleasing or even speaking or lyrics at all. Then there are those few individuals who are as mentally hinged as we are, those who completely, innately understand all of this and just get lost in it with us. To share all this with those people, that is an humbling experience.

– Is the band going to get more involved in performing live at some
point? What’s next? Album?
We play every show we get and it would be great to tour outside of Finland too. We have few shows booked and more shows planned. I mean this thing is rather hard to sell this to any promoters, especially when I am too introvert to forcefeed my things on people without starting to hate myself immensely.

– What do you see for your future? How is it looking?
The future is always bleak, we all grow old and die, so why not focus on now instead.
– Could you tell us about the themes /concepts you focus on
or plan to focus on? How did the ideas come about, and how do they
influence the writing process?
I guess the biggest themes behind all this are communication and this zen approach I mentioned before. It is a collective subconscious mind speaking through instrumentation, “que sera, sera”-sort of mantra being in the center of it all. We have no traditional writing process in the usual sense of the word, we may have some conversations before hand and they may set the mood to what we are doing, but we just sink into it. It is so efficient that I never have any recollection of playing music afterwards, which is probably why I don’t have any trouble “listening to my own music”, which the “troubled artists” usually appear to have. I don’t consider it as “my” music, and I don’t think any of us do. We are just transmitting something that is bigger than us.

– So what bands do you guys draw your inspiration from?
Eetu and Juho listen to rap. I guess that’s my advice to anyone who wants to have working drone band, get yourself some old school rap heads on the rhythm section. They like loops and are usually high enough to take it slow and chill. Me, Juho and Cédrik also listen to all kinds of psychedelic and droning things. It’s hard to pinpoint any bands, but I guess all of us except my brother like Swans to some extent. My brother always hated me for loving Neurosis so much as we grew up, but I guess some of it has seeped through since he has quite a lot of similar qualities in his playing too.

– What’s more important to you? Catering to the audience or music
for its own sake?
Any sort of crowd pleasing always makes me cringe. We grew up playing punk with metal bands and everytime the fists were in the air I figured the next step is marching in the streets and burning people. It’s something Aldous Huxley called the “crowd disease” and I despise it. That is probably why I have took the position of not manipulating audience into anything. Whatever they get into their heads in our shows is on them, not on us. We are not instigating anything, we are just serving the music, which is our spiritual practice and the only reason we are here for.- Anything else you think your fans should know?
I know this is not music for everyone. It is not supposed to be. If it works for someone, we are grateful. If they truly GET IT, that’s even better. You can find us through the following links, if you feel like it.

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Q and A with Blind Revision
12 Dec. 2016

Q and A with Blind Revision


Jen Janet, vocalist and keyboardist of Blind Revision answered Nem’s questions.

Can you give a little biographical and historical info; who is involved in the band, and how did you guys meet up?

Myself and our guitarist, Kirk met at college. Phil, who is our bassist, was Kirk’s roommate at the time. We all decided to jam one day and we realized we seemed to mesh well together, so we decided to start a band and play shows. The rest is history. Our drummer went to high school with Kirk and we met our other guitarist, Jake, from a mutual friend in the Rhode Island music scene.

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Q&A With Awaiting Dawn
09 Sep. 2016

Q&A With Awaiting Dawn


awaitingdawn-logo“Awaiting Dawn“ is a band from Frankfurt/Germany stylistically situated in melodic Prog-Metal/Prog-Rock, concentrating on organic, emotional songs with big dynamics and innovative ideas.

To today, we recorded a demo, a self-released EP and now our first LP entitled “Leave No Trace”, which we want to release as soon as possible and therefore are applying for a label deal.

The bandmembers are:

Benjamin Reiter: Lead Vocals/Guitar, Main Songwriter

Wolfgang Schneider: Guitar/Backing Vocals

Peter Schnur: Keyboards/Backing Vocals

Maik Seckler: Bass/Backing Vocals

Felix Benz: Drums 

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Seventh Station Announces the First Official Video
09 Sep. 2016

Seventh Station Announces the First Official Video


Seventh Station is a an international progressive metal band based in Slovenia. Lead by guitarist Dmitri Alperovich and includes names such as my dear friend, great musician Eren Başbuğ (known for his work with progressive metal pioneers Dream Theater, Jordan Rudess etc) and Israeli Vocalist Davidavi (Vidi) Dolev (Omb, Reign of the Architect etc ) the band debut album ‘Between Life and Dreams’ deals with the concept of being caught between two stools, having different secret signs showing different ways and choices.

Seventh Station is now thrilled to announce the release of their first videoclip for their second single The Edge of the Lake from the debut album Between Life and Dreams.

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Kızıma…
05 May. 2016

Kızıma…


IMG_1664Saat: 8.41 … Tam 1 saat önce doğurmuştum seni.. 14 yıl önce bugün bu saatlerde “Bebeğinizi hemen yıkayıp getiriyoruz” diyen hemşirelerin bir an önce dönmelerini bekliyordum… “Hadi artık çabuk olun.. Kızımla benim vaktimi çalmayın”..

Sonra sen geldin… dünyanın en güzel pembesini o sabah gördüm.. kundağa sımsıkı sarılmış miniminnacık bir bünye, dışarıda sadece pembe bir kafa, kendisine ait değilmiş gibi görünen bir tomar da simsiyah saç.. Hahah daha o zamanlardan havalıydın… 🙂

Sonra o kokun!!!.. Tarif edilmez, cennetten çıkma o kokun… içine çek çek bitmiyor, anlatılmaz!

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Woyzeck izledim yine…
05 May. 2016

Woyzeck izledim yine…


Erdal Beşikçioğlu ve Süleyman Bağcıoğlu isimlerinin aynı cümle içinde bulunduğu bir yapıt karşısında saygı duruşuna geçiyor insan tabii, ister istemez. Ama iddia ediyorum, bu iki inanılmaz sanatçıyı istediğiniz kadar tanıyın, sevin, hayranı olun; hiçbir şey sizi Woyzeck’in üzerinizde yaratacağı etkiye hazırlayamaz!

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Q&A With Ucan2
04 Apr. 2016

Q&A With Ucan2


Ucan2 is a four member instrumental rock band which was founded in 2010 in Brno, Czech republic. Ucan2 music takes you through a wide variety of musical moods from heavier rock tunes to soul injecting feelings and imagination. Over the three years, the band has become a stable part of the club scene in the Czech republic and has performed over a hundred concerts abroad as well as touring in Italy, Hungary, Slovakia and Austria.

The band is:

Petr Bartoněk – Guitar
David Pavlíček – Drums, Sampler
Jakub Vlček – Guitar
Tomáš Kopal – Bass

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Q&A With M.H.X’s Chronicles
03 Mar. 2016

Q&A With M.H.X’s Chronicles


10915218_1106178612732166_2095486709853378716_nM.H.X’s Chronicles is a young quartet from Brazil which plays some blistering melodic death metal that can’t quite be ignored. Produced at Sputnik Home Studio by Michel Oliveira and Murillo H. Xavier and released on June 1st, 2015, Infinite Ocean is the group’s first full-length and features 10 tracks of impressive playing and songwriting.

Murillo H. Xavier – Guitars & Vocals
Raphael Carvalho – Drums
Michel Oliveira – Guitars
Wallace Ribeiro – Bass

Can you give a little biographical and historical info; who is involved in the band, and how did you guys meet up?

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Bugimen’in İlk Albümü Nemigub, OnAir Media Reflex Etiketiyle Piyasalarda!
03 Mar. 2016

Bugimen’in İlk Albümü Nemigub, OnAir Media Reflex Etiketiyle Piyasalarda!


2014’te kurulan Bugimen, Nemigub adını verdikleri ilk albümlerini  OnAir Media Reflex etiketiyle yayımladı. Üç üyesinin de hem enstrümanist hem de vokalist olduğu grup, albümlerinde trajik beş kahramanın gözünden hikayelerini seslendiriyorlar:
Tüyleri için yolunan bir kaz, savaşta çalışmak zorunda kalan bir cerrah, kendinden nefret eden bir obez, ailesi tarafından öldürülen bir eşcinsel ve bir çocuk gelin…
Hikayelerin yalnızca müzikle değil, seslerle de anlatılması gerektiğini düşünen Bugimen, her parçaya bir de intro ekliyor. 10 parçadan oluşan albümün kaydını Rage Records Stüdyoları’nda yapan grup, miks ve mastering için yine Rage Records’tan Genco Kulaksız ile çalıştılar.
Yönetmenlik ve kurgusunu Bugimen’den Gurur Bozkurt’un üstlendiğin ilk klipleri Büyümem’de, kamerada Özgür Özer, ışıkta Buğra Bağış, makyajda Melis Taze’nin yardımlarıyla Bugimen, albümdeki karakterleri canlandırıyorlar.
Söyleyecekleri, gösterecekleri çok şeylerinin olduğunu düşünen grup, bu trajedileri taşıyacakları sahnelerine hazırlanıyorlar.

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Büyük Birader’in “Yol” Albümü Müzik Marketlerde
03 Mar. 2016

Büyük Birader’in “Yol” Albümü Müzik Marketlerde


Buyuk Birader 2“YOL” son zamanların en iddialı rock gruplarından biri olan Büyük Birader’in tamamı kendi bestelerinden oluşan ilk albümü. 10 şarkıdan oluşan albüm ONAIR etiketiyle raflardaki yerini aldı.

Bora Biçer’in akustik düzenlediği şarkılara Ulaş Tercan’ın çello ve bas tecrübesiyle ve Gerçek Dorman’ın davul ve perküsyon setiyle eşlik etmesi, yeni bir tarzın oluşmasını sağlamıştır. Enstrüman zenginliği bakımından eşine az rastlanır bir trio olan Büyük Birader, hem elektrik hem akustik setle farklı bir enerji yakalamaktadır. Grubun tarzı genel olarak rock tınlasa da içinde yer yer funk, blues ve country tarzlarından da esintiler hissedilmektedir.

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